Rising artist d4vd has pulled back from touring as investigators press ahead with a case involving the death of a teenage girl. The 20-year-old, who had continued performing after the inquiry began earlier this month, has now canceled an upcoming show in Seattle as new developments place him under growing scrutiny. The case took a sharper turn on September 9, when d4vd went onstage even as questions mounted. Authorities later confirmed that remains found in his vehicle belonged to 15-year-old Celeste Rivas, who had been missing since April. She stood 5’1” and weighed 71 pounds, and her identification has shifted attention squarely onto the singer, complicating his rising career. One detail has fueled public speculation: a tattoo on Celeste’s finger that reads “Shhh…,” a design the musician also carries. Images of d4vd displaying the same tattoo have circulated since last year. Before her disappearance, Celeste was said to have mentioned a boyfriend named David, though investigators have not drawn a connection. Speculation Grows as d4vd’s Tour Remains Uncertain So far, officials have not named d4vd a suspect, and no charges have been filed. His representative emphasized the artist’s cooperation, saying, “d4vd has been informed about what’s happened. And, although he is still officially out on tour, he is fully cooperating with the authorities.” Still, the statement has done little to calm speculation spreading quickly across social media. The tattoo, while central to the discussion, is not exclusive—celebrities including Rihanna and Lindsay Lohan have displayed the same design. Even so, the overlap has intensified scrutiny at a time when his tour plans remain in doubt. Fans have also circulated alleged screenshots suggesting Celeste may have interacted with the artist online, though those claims remain unverified. As of now, his next concert is scheduled for Friday, September 19, in San Francisco. Whether he takes the stage will likely hinge on how the investigation develops in the days ahead. D4vd has reportedly canceled his Seattle show tonight after authorities identified the body found in a Tesla registered to him. pic.twitter.com/yTUhbATuKX — Kurrco (@Kurrco) September 17, 2025

Chris Brown is stepping back from social media just days after his steamy onstage moment with Kayla Nicole lit up the internet. While in the middle of his U.S. tour, the singer addressed the conversation swirling around him and made it clear he had enough. Before logging off Instagram, he left a sharp message to critics: “MISS ME WITH THE COLORIST RAGE BAITING.” Brown also admitted he was “sick” of the negativity filling his timeline. Chris Brown has deactivated his Instagram. pic.twitter.com/hCvwlbgA4n — Chris Brown News (@chrisbrownewss) September 17, 2025 The timing of his exit came right after clips of his Los Angeles show went viral. During the performance, he pulled Kayla Nicole on stage for his “Take You Down” set, and the two put on a show that had the crowd screaming. Fans captured the moment from every angle as Brown lifted her into the choreography, creating a scene that quickly spread across social media. Brown later uploaded his own carousel of photos, including an aerial view of the packed venue glowing with phone lights. His caption was simple, a red heart. While Brown’s reaction stirred headlines, Kayla Nicole used the opportunity to reflect on what the performance meant to her personally. In her recap, she explained that being part of the show was like fulfilling a dream for her younger self, who grew up listening to Brown. “For the mini me who saw him at one of her first concerts. For the woman who sometimes feels like she has to be a monolith instead of multi-layered. I did it for the smart girls, the cool girls, the sexy girls, the fun girls–for all of u who are all of those things at once. And I OVERLY did it for my brown girls, tthhaaankya.” Her words reminded followers that beyond the viral moment, the performance was about embracing every side of herself and honoring representation for women who see themselves in her.

Jermaine Dupri stopped by HOT 97 to talk with Nessa about his new album Magic City, dropping this Friday, September 12. He reflected on being named Billboard’s Top R&B/Hip Hop Producer of the 21st Century and whether he expected to land at the top of that list. They discussed some of the biggest moments in his career, including working with Mariah Carey, Usher, Xscape, Bow Wow, and Da Brat, and what he credits his longevity to. The conversation also touched on his new album and working with Rich Homie Quan. Nessa asked him about his time at Magic City, the impact the club had on Atlanta’s music culture, the most he’s seen spent in a night and some tips on how to throw money at the strip club. They got into personal stories about his friendships with Da Brat, Mariah Carey, and Janet Jackson, and why marriage may or may not be in his future. He talked about what he learned from Quincy Jones and Ray Charles. He also shared his thoughts on the mistakes artists make today, what advice he’d give to them, and if Confessions was a true story from Usher’s life. Jermaine Dupri’s album Magic City is out this Friday, September 12.

In June 2024, Odell Beckham Jr. drew widespread attention after posting a lively video of himself driving while dancing to Drake‘s hit Family Matters. The clip showcased not only his energy but also his unwavering support for the Toronto rapper during a period of friction with Kendrick Lamar. Far from a casual fan, Beckham Jr. has emerged as a steadfast ally in the evolving dynamic between the two artists. Speaking with Jordan Rose for Complex News, Beckham Jr. reflected on the viral video and the broader context of Drake’s rivalry with Lamar. When asked about the social media reaction, which has inspired a flood of memes, he remained unfazed. “I’m not bothered at all,” he said, demonstrating confidence and self-awareness. He added, “the joke was all in good fun,” framing the moment as playful rather than provocative. Beckham Jr. Praises Drake and Kendrick Ahead of New Album Buzz Beckham Jr. also expressed admiration for both musicians, revealing a nuanced perspective. “I’ve always supported Drake,” he said. “Before the feud, I was listening to Kendrick’s music too—he’s undeniably talented. Music has been a fundamental part of my life since childhood.” His remarks underscore a respect for artistry that transcends the competitive tensions surrounding the feud. As Drake readies his ninth studio album, ICEMAN, anticipation is mounting. While the official release date has yet to be announced, early tracks like What Did I Miss and Dog House have already generated buzz. These previews suggest another defining moment in Drake’s career, and Beckham Jr.’s endorsement adds extra weight to the excitement. Odell Beckham Jr. speaks on the viral clip of him dancing to Drake’s “Family Matters” and shares his thoughts on the Kendrick Lamar / Drake beef (via @ComplexMusic / @jrosethereturn) pic.twitter.com/IiHciAZivt — Kurrco (@Kurrco) September 17, 2025

Meek Mill is mapping out the next chapter of his career with unusual candor. His vision includes a new album, a book, and a short film—projects he says cannot move forward without outside investment. To get there, he has made a public appeal for $5 million. He casts the request as both a personal necessity and a broader indictment of the music industry’s financial structures. On X, Meek Mill vented frustration at record labels he argues have stifled innovation. “I need 5 million in funding for a book, album, and short film,” he wrote. “These label deals are not looking fair at all… they essentially ruined the game… but I have the potential to reboot everything!” The post doubled as a critique of entrenched industry practices. It also served as a call for alternative financing models. He went further, questioning why artists—despite generating billions for the business—struggle to secure straightforward bank loans for their projects. Meek mill Sparks Debate Over Wealth, Funding, and Creative Independence The reaction from fans was swift and divided. Some expressed skepticism, noting Meek Mill’s proximity to wealthy figures in sports and business. “Surrounded by billionaires. I’m so confused,” one user remarked. Others pointed to his history of charging significant sums for appearances, questioning why he could not bankroll the projects himself. Meek Mill countered with a blunt response. “I’m blackballed if I can’t get 5m in funding for my album, book, and short film lol,” he wrote. The remark highlighted the paradox of being both connected and constrained. His name is linked to billionaires like Michael Rubin and Robert Kraft, yet financial backing remains uncertain. Behind the back-and-forth lies a larger tension within music. The question is whether artists can shed traditional label deals and still secure the capital to innovate. For Meek Mill, the $5 million ask may be deeply personal. But for others, it underscores a more pressing question—how creative independence can truly be financed in an industry still shaped by old rules. View this post on Instagram A post shared by The Neighborhood Talk (@theneighborhoodtalk)

Kirk Franklin’s eldest son, Kerrion Franklin, claims he suffered serious physical abuse as a child, including being “beat black and blue,” by those he refers to as “parentals.” His recent social media post includes graphic photos of scars on his back and a lengthy message describing wounds and trauma from early childhood. Kirk Franklin’s Son Speaks Out Kerrion Franklin shared on Instagram that the scars are proof of abuse dating from first grade. He wrote, “These scars all over my back are not sex stories … being beat black and blue since 1st grade.” He added that pain, not laughter, shaped many of his earliest memories. He said the adults responsible “enjoyed expressing rotten Rage in many ways as (punishment/Consequence)” and that compassion was absent. The post suggested that the abuse involved multiple people who watched over him when his parents were occupied. Kerrion said, “These scars are the only memories I have of my childhood.” In contrast, Kirk Franklin has publicly denied any physical abuse. In a 2021 statement he said, “there hasn’t been any physical abuse.” The gospel singer has apologized for a profanity-laden recording that leaked that same year, in which he appeared to threaten his son. Kerrion told interviewer Larry Reid in 2021 that he was left in the care of various people, some of whom mistreated him physically. “As a kid, right? My dad was focused on becoming his best self … so I was babysat by a lot of people … and that kind of put me in some … unfortunate, rough situations.” The Instagram post stirred controversy. Some fans expressed disbelief. Others called for professional help. Kirk Franklin, in interviews since, has emphasized his love for Kerrion and said their relationship has been a process of misunderstanding and healing. Neither Franklin nor Kerrion has released independent documentation such as medical records to public review. Experts in child welfare say social media claims can spark investigations, but legal proof is often required.

Young Thug is set to drop his highly anticipated album, “UY SCUTI,” just days from its official release. A recently leaked snippet has already ignited social media chatter. It hints at a track with strong meme potential. The clip’s infectious hook—lifted from a standout moment in his Big Bank interview—positions the song to catch viral fire. The 16-second segment prominently features Thug’s playful outburst, “whoopty doo!” The line first emerged amid a serious discussion about the legal challenges facing him and his YSL collective. What might have been a fleeting joke has been elevated into the song’s centerpiece. It is woven throughout the track rather than appearing as a brief aside. This demonstrates Thug’s knack for transforming cultural moments into musical currency. Online reactions, especially on X, have been split. Some fans long for Thug’s earlier style, lamenting what they see as gimmickry. Meanwhile, others embrace his troll-like energy. The divide is clear: one user wrote, “My goat doing gimmick tracks,” while another celebrated the absurdity, saying, “Ngl he been making the right moves so far, he a troll though [laughing emoji].” These responses underscore the fine line Thug walks between experimentation and audience expectation. Release Details for “UY SCUTI” “UY SCUTI” arrives on September 19, 2023, marking Thug’s fourth studio album. Fans anticipate a mix of his signature inventive beats—reminiscent of “So Much Fun,” “Punk,” and “JEFFERY”—alongside high-profile features. Rumored collaborators include Mariah the Scientist, Lil Gotit, and Ken Carson. Future is confirmed, reconnecting after their work on “Money On Money.” The album lands in a competitive landscape, debuting alongside Cardi B’s “AM I THE DRAMA?” and YFN Lucci’s return. In this crowded field, Young Thug appears ready to turn a single viral moment into a defining track for “UY SCUTI.” This reinforces his role as both a musical innovator and a cultural provocateur. NEW YOUNG THUG SNIPPET pic.twitter.com/Xqw9xZqS5P — Kurrco (@Kurrco) September 16, 2025

In June of last year, Ice Spice became embroiled in controversy after her former friend Baby Storme leaked private messages in which the Bronx rapper criticized Nicki Minaj. The revelations complicated what had appeared to be a flourishing partnership, following the success of “Princess Diana” and their modern rendition of Aqua’s “Barbie World.” As 2024 progressed, the ripple effects became more pronounced. In a candid Rolling Stone interview, Ice Spice confirmed the texts were authentic, admitting that she had described Minaj as “ungrateful” and “delusional” in a moment of frustration. Yet her sharpest disappointment was aimed at Storme. “The saddest part of the whole situation is that someone I trusted for years exploited my openness for personal gain. I feel used, basically,” she said. Business Hurdles, But Respect Holds Complicating matters further were behind-the-scenes business negotiations. Minaj had sought to formalize a deal with Ice Spice, but the rising star’s commitments to two record labels created an obstacle that neither side could easily overcome. Speaking with Keke Palmer on her podcast Baby, This Is Keke Palmer, Ice Spice reflected on the timing: “Despite my efforts to let our representatives manage the situation, it was simply the wrong time for a new deal.” Even amid these setbacks, Ice Spice has been careful to stress that her bond with Minaj remains intact. “It’s all love, as always. I still look up to her—she’s like family to me,” she said, echoing sentiments from her Rolling Stone interview: “I could have expressed my feelings better, but I have immense respect for Nicki and will always appreciate her contributions to my career and the culture.” For now, their relationship endures, tested but not broken. While the leaks sparked intense conversation among fans and the Barbz, both artists appear committed to maintaining mutual respect. The turbulence may have complicated their collaboration, but it has not erased the admiration that originally brought them together. Ice Spice speaks on how it felt working with Nicki Minaj twice and what she thinks went wrong after Nicki wanted to sign her to her label : Baby, this is Keke Palmer: https://t.co/LgvKZJ6aon https://t.co/tVImVyvSpR pic.twitter.com/up2aTvxaSN — Glock Topickz (@Glock_Topickz) September 16, 2025

The legal storm surrounding Sean “Diddy” Combs shows little sign of easing, with both civil and criminal cases pressing forward in a year already defined by courtroom battles. At the center of one dispute is Sara Rivers, a former member of Da Band, who has accused the Bad Boy Entertainment founder of sexual harassment and assault during the filming of Making the Band. Her lawsuit, however, has already encountered a significant hurdle. In early August, a federal judge dismissed Rivers’s claims, finding they fell outside the statute of limitations. The ruling underscored the court’s view that timing matters as much as substance: “It is essential to appreciate the beneficial roles that statutes of limitations play in our justice system. They help to uphold fairness by mitigating unexpected claims once vital evidence is no longer accessible, memories diminish, and witnesses fade from the scene.” The judge also rejected Rivers’s contention that fear of retaliation explained her delay. Broad claims of psychological harm, the court held, do not satisfy the standard required to pause statutory deadlines. Still, Rivers is pressing forward. Recent filings confirm her intent to appeal, with plans to take the case to the U.S. Court of Appeals for the Second Circuit—a move that could yet revive her claims in federal court. Criminal Convictions and Sentencing Alongside the civil proceedings, Diddy faces criminal charges. In July, a jury convicted him on two counts of transporting individuals for prostitution, charges that together carry a potential sentence of up to 20 years. He was acquitted of more severe counts, including racketeering and sex trafficking. A sentencing hearing is set for October 3, marking a critical phase in Diddy’s legal battles. Diddy’s attorneys are now moving to overturn the convictions. They argue prosecutors relied on an improper definition of prostitution, deviating from the 1910 language of the Mann Act. In their view, the misstep not only undermines the verdict but warrants dismissal or, at minimum, a new trial. Taken together, Rivers’s appeal and Diddy’s pending sentencing highlight the fraught intersection of celebrity and accountability. The outcomes will determine more than the fate of those involved—they will also test how the justice system confronts questions of power, influence, and responsibility in the entertainment world. Indeed, Diddy’s cases have broader implications beyond mere justice.

Harlem rapper Max B fueled speculation about his impending release with a September 15 Instagram comment declaring, “The Wave touches down November 9. The countdown begins.” The cryptic statement immediately drew attention, suggesting the artist’s long-anticipated return could be imminent nearly 15 years after his sentencing. Max B, born Charly Wingate, has been incarcerated since 2009. A New Jersey jury convicted him of conspiracy to commit armed robbery, kidnapping and felony murder. 54 days until Max B gets released from prison https://t.co/Hp19E646ID pic.twitter.com/RbFex1VbNE — Glock Topickz (@Glock_Topickz) September 16, 2025 He initially received a 75-year sentence, though his term was later reduced following multiple appeals and sentence modifications. Court records show that in 2019, his sentence was formally cut to 12 years, significantly advancing his potential release date. While the New Jersey Department of Corrections has not confirmed November 9 as his official release, Max B’s post indicates confidence that his term is nearing completion. Legal observers note that incarcerated individuals often receive projected release dates factoring in good behavior credits and program participation. Max B’s Release Date The rapper, known for pioneering the “Wave” style of melodic rap. He has remained musically active throughout his incarceration, releasing recordings and guest features facilitated through prison communication systems. Still, his physical return to the music industry has been described as a potential cultural turning point, particularly given his influence on mainstream artists including French Montana, Wiz Khalifa and Kanye West. Max B’s case has long attracted attention in both legal and cultural contexts. His original conviction stemmed from a 2006 robbery in Fort Lee, New Jersey. It ended in the death of one man. Prosecutors argued that Wingate orchestrated the crime, though he has consistently denied direct involvement. If released on the timeline he suggested, Max B would join a growing list of hip-hop figures whose legal battles have shaped their careers. For supporters, the prospect of a November 9 release represents not only the conclusion of a lengthy incarceration. It’s also the start of a new legal and cultural chapter. His declaration frames that date as more than a logistical milestone, casting it as both a legal resolution and a symbolic homecoming.