Young Thug is under fire after alleged leaked comments targeting some of hip hop’s biggest names, including J. Cole, André 3000, GloRilla, Kendrick Lamar, and Gucci Mane. The controversy comes as he navigates legal troubles and a snitching scandal, adding more heat to an already complicated situation. Young Thug calls out J Cole & Andre 3000 in a new leaked jail call. Compares J Cole w Youngboy NBA : “You have never in your life sold more records than this boy…Fuck is you thinking?” “…man niggas don’t like y’all music either, niggas don’t want that shit to come out..” pic.twitter.com/J4stVLi44f — GUNNA DAILY (@Gunnnaupdates) September 5, 2025 A clip shared on Twitter reportedly captures Young Thug criticizing J. Cole and André 3000. In the conversation, he questioned why J. Cole had not collaborated with rising artists. “YB the biggest artist in the world on YouTube. Why wouldn’t J. Cole do a song with him?” he allegedly said. He went on to call out artists for avoiding collaborations, explaining, “Like, come on, bruh. You ain’t never in your life sold more records than this boy, this young n***a. F**k is you thinking? Like, tripping. N***a just be on that, ‘Oh, I don’t like your music. I ain’t doing no music with you.’ Man, n****s don’t like y’all n****s’ music either. Ain’t nobody really like that st you’re talking about. N***as just want to do songs, it’s the game we in. It ain’t no Atlanta Falcons ain’t playing the Miami Dolphins because they don’t like the Dolphins. Man, we playing everybody. It’s the sport we in.” He also targeted André 3000 for not mentoring or supporting younger artists. “André 3000, you’re one of the biggest artists in the world. You became one of the biggest artists in the world. But you ain’t help nobody. You ain’t put nobody on. Now you vintage. Now you goddamn can’t put out a song and go top 50. You see what I’m saying? You put a song out right now, you can’t even go top 50. But you were the biggest artist in the entire world at one point. But you ain’t put nobody on, though. You ain’t did nothing. Ain’t no na saying they got a career off of you. Like, y’all n****s ain’t help nobody. All that cap rap s**t, that rap s**t don’t mean nothing. In 10, 15 years, that s**t don’t mean nothing.” Thug has also been criticized for mocking GloRilla, prompting her response on social media. He later apologized on Twitter, but fans are still waiting to see if he will address the larger controversy surrounding these alleged comments.

Latto and Ice Spice have closed the door on more than a year of discord, returning as collaborators with a new track that reframes their relationship. The reconciliation stands out in a genre often defined by rivalries, signaling a shift from friction to partnership. For much of the past year, speculation surrounded the two rappers as fans dissected their lyrics and social media posts for signs of animosity. The back-and-forth seemed to cement them as competitors. That perception began to unravel in early September when they appeared together at Kai Cenat’s Mafiathon 3, presenting themselves not as adversaries but as allies. Cenat welcomed the pair into his home, where they unveiled “GYATT,” their joint single released September 2. The performance quickly became the centerpiece of the stream, punctuated by an impromptu twerk session that spread across social media. Cenat, who has been publicly linked to TikToker Gabrielle Alayah since late 2024, kept the spotlight firmly on the music, giving their reunion room to resonate. Reactions Online The livestream drew widespread attention, with comments amplifying the moment’s cultural weight. In DJ Akademiks’ feed, one user joked, “We gotta get rich brothers,” while another praised the show, writing, “Latto’s moves were on point.” Many welcomed the reconciliation outright, including one viewer who called it, “the best squashing beef ever.” The response captured a sense of relief that two of hip-hop’s rising stars had chosen to bury the tension. Their rift stretches back to 2023, when pointed lines in their music began fueling speculation. Ice Spice’s “Think U The Sh*t” and Latto’s verse on Offset’s “Fine As Can Be” both contained lyrics that listeners interpreted as thinly veiled shots, pushing the idea of rivalry into the spotlight. By 2024, the feud had become a constant backdrop to their careers. Now, Latto and Ice Spice appear intent on leaving the conflict behind. Their reunion not only reflects personal growth but also highlights the potential for collaboration in an industry often consumed by competition. Fans, meanwhile, are waiting to see how this new alliance translates into future music and performances.

Hip-hop is no stranger to controversy, and its latest flashpoint centers on GloRilla and Young Thug. In recent weeks, leaked jail call recordings surfaced online, allegedly capturing the Atlanta rapper disparaging fellow artists. Among the remarks, he reportedly singled out GloRilla, describing her looks in unflattering terms—a jab that swiftly drew her into the broader storm surrounding his ongoing legal battles. For GloRilla, the attention arrived without warning. She had been in the headlines for her relationship with NBA forward Brandon Ingram, yet the leaked audio shifted the focus sharply. The clips also revived long-running allegations of snitching against Young Thug, raising new questions about his standing in both the courtroom and the culture. GloRilla, rather than sidestepping the moment, responded with a sharp retort on Twitter: “Mind you dis da same n***a blowing my phone up to ask what color my eyes is lmaooo.” The post ricocheted across social platforms, with fans dissecting both her wit and the complicated undercurrents between two prominent figures in rap. Young Thug Apologizes After Leaked Audio Not long after, Young Thug offered an apology that caught many off guard. “@GloTheofficial first of all I’m sorry to u for my words and I honestly don’t think ur ugly at all, I was speaking from jail just having a hard time with life.. I don’t like bashing girls and hardly ever did.. I’m sorry to u twin.” His message — equal parts contrition and explanation — revealed an unusually vulnerable side of an artist who rarely concedes ground in public. It was the second time in recent weeks he had addressed leaked audio directly. Earlier, he pushed back against chatter linked to his disputes with OTF and Lil Durk, while other instances of interrogation footage had drawn more evasive replies. The exchange with GloRilla, however, carried a sharper personal edge, underscoring both his volatility and his instinct to manage a narrative that seems to shift by the day. For now, the dust has settled. Still, with additional recordings reportedly in circulation, the open question remains: will Young Thug continue to confront them one by one, or will he let the noise dissipate as he turns his focus back to the music?

In hip-hop’s shifting landscape, Jay-Z still stands as one of its most enduring figures. His last solo album, 4:44, was released in 2017 to critical acclaim, but new remarks from producer Cash Cobain have stirred speculation that fresh music from the Brooklyn rapper may be on the horizon. Appearing on Billboard Unfiltered Live, Cobain suggested Jay-Z has new material in the works—music, he said, that could “shake the world.” Cobain did not hold back in praising Jay-Z’s stature in New York rap, calling him the undisputed king. “The king of New York is Jay-Z. It’s Jay-Z. Multi-platinum albums and president of Def Jam. He’s like the richest rapper, right? What didn’t he do?” he said. He added, “I heard Jay-Z is about to drop some sh*t that’s gonna shake the world. That’s what I heard.” His comments have only intensified speculation that a comeback may be underway. Hints of new music have already ignited a wave of reactions online. On X, formerly Twitter, fans voiced both humor and anticipation. “If Jay Z get on a cash beat ima really be weak but ima def need front row seats too,” one user wrote. Another suggested the resurgence of creativity in the genre—highlighted by the Clipse’s recent Let God Sort Em Out—could be pushing Jay-Z back to the studio. “THIS BETTER BE TRUE,” one fan declared, capturing the broader sense of expectation. 4:44 marked reflection—his next move could reshape rap Jay-Z’s most recent solo release, 4:44, entered the Billboard 200 at No. 1 with 262,000 album-equivalent units and was nominated for Album of the Year at the Grammys. Beyond its commercial impact, the record was celebrated for its candor, with songs like “The Story of OJ” marking one of Jay-Z’s most introspective turns. The Billboard segment also featured Zeddy Will, who named Nicki Minaj as New York’s reigning queen. “Her fanbase is still crazy to this day, and she got all the hit records. The numbers don’t lie,” he said, pointing to her back-to-back sold-out shows at Madison Square Garden. For Jay-Z, expectation is nothing new. If Cobain’s prediction proves true, his return would not only mark a new release but also add another chapter to a career that has long shaped hip-hop’s narrative. “I heard Jay-Z is about to drop some shit thats gonna shake the world that’s what I heard” -Cash Cobain pic.twitter.com/71y4Fcb1FS — Ahmed/The Ears/IG: BigBizTheGod (@big_business_) September 4, 2025

Sean “Diddy” Combs is facing one of the most consequential chapters of his career after being convicted on two counts tied to transporting individuals for prostitution. With sentencing set for next month, the hip-hop mogul is mounting an aggressive appeal, pressing for either a new trial or an outright acquittal. In filings reported by TMZ, Diddy’s attorneys argue that the prosecution’s case leans on an antiquated reading of the Mann Act, first passed in 1910. They contend that the term “prostitute” then referred specifically to women engaged in sex outside of marriage, a definition far narrower than what courts apply today. By revisiting the law’s origins, the defense hopes to chip away at the foundation of the jury’s decision. The team has also challenged prosecutors’ claims about the nature of Diddy’s financial ties to the men central to the case. He maintains that any payments were for time and companionship, not sexual services. It is an argument aimed squarely at the heart of the allegations and one that could carry weight as his lawyers push for leniency. Diddy’s Verdict Sparks Debate Over Power, Consent, and Celebrity Prosecutors have shown no sign of retreat. They describe the evidence as “overwhelming” and accuse Diddy of wielding money and status to manipulate those around him. Court filings portray him as leveraging threats against careers and livelihoods to ensure compliance, framing his conduct as coercive rather than consensual. The verdict itself offered a measure of contrast. While jurors convicted Diddy on transportation charges, they cleared him of more serious counts, including sex trafficking and racketeering. Still, the exposure is significant: he could face as much as 20 years in prison, though prosecutors have indicated they will recommend closer to four. His next court appearance is scheduled for October 3. The case has quickly become a flashpoint for larger debates about consent, legality, and power in relationships that cross personal and professional lines. For Diddy, the ruling carries both legal peril and cultural weight, with the potential to influence how future cases at the intersection of celebrity and the law are judged.

Memphis rapper GloRilla has seemingly clapped back at Young Thug after comments from a leaked jail call surfaced, in which the Atlanta rapper harshly criticized her looks. On September 4, 2025, audio leaked online of Young Thug speaking candidly during a phone call from jail. In the clip, he disparaged GloRilla, calling her “ugly as f*ck,” mocking her wig, and making other demeaning remarks about her appearance. He went on to say, “I would not pursue her, like at all…” View this post on Instagram A post shared by HOLLYWOOD UNLOCKED (@hollywoodunlocked) The clip has since gone viral online, with fans defending GloRilla. While the rapper didn’t name Young Thug directly, she appeared to address the situation with a pointed post on X (formerly Twitter). She wrote: “Mind you dis da same n*a blowing my phone up to ask what color my eyes is lmaooo.” Following the response, fans praised her for flipping the narrative and highlighting the irony of the situation. Many noted the contrast between Thug’s alleged past private interest and his recent disparaging remarks. View this post on Instagram A post shared by The Shade Room (@theshaderoom)

Drake has admitted that certain criticism from the Hip Hop community really gets under his skin, particularly being labeled a “culture vulture.” Despite his frustrations, Wu-Tang Clan legend Ghostface Killah has a simple message for the rapper: ignore it and focus on the music. #EXCLUSIVE Ghostface Killah Advises Drake to Blow Off ‘Culture Vulture’ Label “Been Called Worse Than That!”https://t.co/1lp1tZBywA pic.twitter.com/TYhMCp0GbS — TMZ (@TMZ) September 4, 2025 TMZ Hip Hop caught up with Ghostface at ABC Studios on Thursday, September 4th, while he was promoting his new album, Supreme Clientele 2. Laughing off Drake’s grievances, the veteran rapper suggested that there are far worse insults to endure in the industry and that some comments are not worth letting affect you. Drake has previously expressed sensitivity to accusations of jumping on viral trends, and he recently called out several tenured Hip Hop journalists. He even labeled Rob Markman a “goof” after Markman could not recall Lil Wayne’s “Cannon” lyrics at the request of Tory Lanez. Drake has been critical of reporters who he feels are entitled to his time, going so far as to call them “losers.” Markman responded to the remarks by defending the Hip Hop community. He emphasized that journalists are responsible for covering the culture and should not be personally attacked for doing their jobs. He also spoke up for any reporters who may have been unfairly criticized. This exchange highlights the ongoing tension between artists and the media. While Drake navigates public scrutiny and commentary from fans and journalists alike, Ghostface Killah’s advice serves as a reminder that not every critique warrants a response. Focus on your craft and let the rest fade into the background.

Cardi B has revealed that she was once approached to perform on one of the world’s biggest stages — the Super Bowl Halftime Show — but ultimately turned the opportunity down. In a new interview with Billboard, the Grammy-winning rapper shared that she was asked to headline the coveted event but declined, explaining that she wants to wait until she feels more musically and personally ready. “I got asked to do the Super Bowl and I denied it,” Cardi admitted, noting that her goal is to deliver a show-stopping performance when the time is right. “If I get to do it, I’m going to have more hits and I’m going to eat that up.” View this post on Instagram A post shared by HOLLYWOOD UNLOCKED (@hollywoodunlocked) This isn’t the first time Cardi has passed on the Super Bowl stage. Back in 2019, she also turned down an invitation to perform at Super Bowl LIII. At that time, her decision was tied to standing in solidarity with Colin Kaepernick, the former NFL quarterback who sparked a movement by kneeling during the national anthem to protest racial injustice. Cardi explained then that she couldn’t accept the performance while supporting his cause.

SZA has fans talking after speculation surfaced linking her to rising artist Shaboozey. The rumors began when Shaboozey shared a new Instagram carousel captioned “Goodbye Horses,” which included a short clip of a woman seen from behind. Observant fans noticed her outfit resembled ones SZA has recently worn, sparking chatter that the two may be romantically involved. While nothing has been confirmed, excitement online is already high. SZA and Shaboozey? She definitely not dating Kendrick like some hypothesized pic.twitter.com/3XA44v29HP — Ashley (@realeyezone) September 2, 2025 Some fans are urging caution, suggesting that the two could simply be collaborating on music or filming a video. One user wrote, “But why do we always assume dating? They’re literally both musicians, it could be anything.” Others are fully on board with the idea of a romance, sharing comments like, “I love that for him, absolutely SZA, they are so chocolate together,” and “I’m so ready to be a HUSBAND and FATHER [green heart emoji wedding ring emoji].” Shaboozey has become one of the most in-demand artists over the past year, earning praise for his crossover appeal and collaborations with major acts like Beyoncé on COWBOY CARTER and rappers such as BigXthaPlug, who call on him to add a country influence to their tracks. Meanwhile, SZA recently wrapped her contributions to Kendrick Lamar’s Grand National tour in Sweden on August 9th, reflecting on the experience, “This tour was the craziest most once in a lifetime experience I’ve ever had. Like all my childhood thoughts in one bang.. WHAT WAS THAT? Lmao not a lotta words.. thank you to every single person involved that made this happen. Especially @kendricklamar [praying hands emoji].” Neither artist has confirmed the rumors, but fans are eagerly watching to see whether this potential pairing will become official.

As excitement builds for his upcoming album, Iceman, Drake is addressing the media attention that often shadows his releases. In a recent interview with Bobbi Althoff that has gone viral online, the Toronto artist suggested that critics may coordinate their responses to ensure negative coverage surrounds his projects. Drake elaborated on his perspective: “It appears that the first critics to respond are not necessarily offering genuine reactions to my albums. Instead, it seems there are strategic discussions taking place among media members, determining their individual stances—often negative—before my project even has a chance to be fully heard.” He added, “These discussions happen in a collective setting, where different critics decide their narratives to ensure there’s no overlap. Someone might declare, ‘I dislike the album,’ even before they have fully engaged with it, aiming for comments that generate the most interaction.” Drake on Media and ‘Iceman’ The remarks, shared widely by DJ Akademiks on social media, sparked a range of reactions. Some fans praised Drake for his candor and defense of his work, while others questioned his critique, pointing to his long-standing navigation of media cycles. The exchange highlights the ongoing tension between artists and critics in an era where social media magnifies every opinion and reaction. Beyond discussing the press, Drake delved into more personal topics, including his approach to relationships and the continuing conversation around his authenticity and public image. These reflections, paired with his critique of media behavior, portray an artist both guarded and self-aware as he prepares for one of the year’s most anticipated releases. While an official release date for Iceman has yet to be confirmed, Drake’s comments provide fans a window into the mindset he hopes will frame the album. As anticipation grows, his observations about perception and criticism offer context for how the work may be received when it finally arrives. View this post on Instagram A post shared by DJ Akademiks (@akademiks)