Former talk show host Loni Love slams “Sherri” show production company over show cancellation announcement. Love wrote via X, “Sherri should have been given the courtesy of announcing her show’s end instead of an article announcing it.” As previously reported, Sherri Shepherd’s daytime talk show “Sherri” is coming to an end after four seasons. Variety reported that Lionsgate’s producer/distributor shingle Debmar-Mercury confirmed the news on Monday. Season 4 production will continue as planned, with the series airing its final episodes in the fall. “This decision is driven by the evolving daytime television landscape and does not reflect on the strength of the show, its production — which has found strong creative momentum this season — or the incredibly talented Sherri Shepherd. We believe in this show and in Sherri and intend to explore alternatives for it on other platforms.” PASADENA, CALIFORNIA – OCTOBER 19: Sherri Shepherd attends 18th Annual Evening Under The Stars Gala on October 19, 2024 in Pasadena, California. (Photo by Leon Bennett/Getty Images) Love suggested that the show’s producer could’ve given Sheppard the decency to announce the cancellation herself. “It’s not like The Real, which was a panel show, but this was a solo-hosted show,” Love said. “Or the production company could have at least made a joint announcement as a producer and host.” Love finished her statement by expressing, “Seeing ‘cancelled’ stamped all over your picture is depressing, especially when the show was having good ratings. Only onward and upward from this,” she finished. View this post on Instagram

Rymir Satterthwaite, who has for years asserted that he is Jay-Z’s biological son, is continuing his pursuit of a paternity determination following another setback in court. A recent filing related to the case failed to advance, but Satterthwaite has indicated that his efforts are ongoing. The dispute, which has unfolded over more than a decade, remains unresolved. Its longevity has kept it intermittently in public view despite limited legal movement. In recent weeks, Satterthwaite’s social media activity has drawn renewed attention to the case. Several posts suggest he may be seeking encouragement or assistance from prominent figures outside the legal system, including Nicki Minaj and President Donald Trump. In a message shared widely online and highlighted by The Neighborhood Talk, he wrote, “Thanks to Nicki and Mr. President for your help!!!” The post did not specify the nature of any involvement. Satterthwaite has also engaged directly with Minaj online. After she shared a side-by-side image comparing their facial features, he replied, “Thanks to the Queen. Me and Godmom will always have your back; u are a good person,” referencing his godmother and legal guardian. Minaj has previously commented publicly on the situation, at times dismissively, which has made her renewed proximity to the discussion notable. It remains unclear whether these interactions carry any legal significance. View this post on Instagram A Prolonged Legal History Satterthwaite’s attempts to obtain a paternity test through the courts have faced repeated obstacles. Earlier this year, his most recent legal action was withdrawn before reaching substantive review. His godmother, Lillie Coley, subsequently filed a separate lawsuit alleging that Jay-Z had avoided responsibilities connected to the claim. That case was dismissed with prejudice, effectively closing the door on further argument in that filing. The court also ruled that Jay-Z was entitled to recover attorney’s fees under California’s anti-SLAPP statute. The award totaled $119,235.45, reflecting the court’s determination that the lawsuit did not meet the threshold required to proceed. The outcome highlighted the procedural barriers that often arise in long-running, high-profile disputes. While the legal avenues available to Satterthwaite have narrowed, his public statements suggest he is not abandoning the matter. By turning to broader public engagement, he appears to be reframing how his claims are presented and pursued. Whether that approach leads to new developments remains uncertain. For now, the case continues to sit at the intersection of celebrity, personal history, and the limits of the legal system.

Long after the initial exchange faded from headlines, the rivalry between Drake and Pusha T continues to surface in discussions about modern hip-hop. Their dispute reached a defining moment in 2018 with the release of “The Story of Adidon,” a record that shifted the conflict from lyrical sparring to personal exposure. The track drew widespread attention across the industry, reshaping how artists and audiences understood the boundaries of public feuds. In the months that followed, Drake declined to release a formal reply, allowing the episode to settle without further escalation. The subject resurfaced recently after Drake interacted with an Instagram video featuring J. Prince, a longtime music executive and mentor. In the clip, Prince reflected on the fallout from Pusha’s diss record, describing it as a turning point that extended beyond music. He recalled advising Drake against releasing a response that had already been prepared. According to Prince, the unreleased song carried implications that could have reached far beyond professional reputations. The renewed attention coincided with the circulation of documents connected to the Justice Department’s handling of materials related to Jeffrey Epstein. Among them was an FBI tip containing an unverified claim that referred to Pusha T as a “handler.” The report described an anonymous account involving public figures such as Harvey Weinstein and Jay-Z, though it did not prompt further investigation. No charges were filed, and the allegation remains unsubstantiated. The Instagram post Drake engaged with reflected the heightened tone of the moment: “J. Prince Video Resurfaces After Epstein Documents Name Pusha T As ‘Handler’ And Mention Jay-Z.” Shared by the account @torontorappers, the caption illustrated how quickly speculation can circulate online. The convergence of past rivalries, legal documentation, and celebrity culture once again drew widespread attention. It also demonstrated how unresolved narratives continue to reappear in digital discourse. View this post on Instagram Humor, Awards, and Public Response That same intersection of celebrity and commentary appeared on the Grammy Awards stage, where host Trevor Noah referenced the broader media climate during the broadcast. In one moment, Noah joked, “That is a Grammy that every artist wants almost as much as Trump wants Greenland.” The line drew on current events and public familiarity, prompting immediate reaction both inside the venue and online. The remark quickly circulated beyond the ceremony itself. President Donald Trump responded shortly afterward on Truth Social, rejecting any implication of a connection to Epstein’s island. He criticized Noah directly, calling the comedian a “total loser” and questioning his credibility. Trump also suggested the possibility of legal action in response to the comment.

A federal courtroom has become the unlikely setting for a debate that has long followed hip-hop culture: where creative expression ends and criminal evidence begins. Lawyers for Lil Durk are challenging prosecutors who want to use his music against him in an ongoing murder-for-hire trial. At the center of the dispute is whether lyrics and videos can be presented as proof of intent. The case raises broader questions about how art is interpreted within the justice system. According to Complex, prosecutors intend to introduce nine music videos and three audio recordings associated with Durk and people in his orbit. The material is tied to a violent feud involving fellow rapper Quando Rondo. That conflict escalated after the 2020 killing of King Von, a close associate of Durk, during a confrontation with Rondo’s group. Prosecutors allege that Durk later ordered retaliation, which they say led to a Los Angeles shooting that killed Rondo’s cousin, Saviay’a Robinson. The government has pointed to specific lyrics it argues reflect a retaliatory mindset. In “All My Life,” his collaboration with J. Cole, Durk raps, “They be on my page like ‘Slide for Von’, I know they trollin me… Got it back in blood, y’all just don’t know, that’s how it ‘posed to be.” Prosecutors say the line captures an emotional response to Von’s death. They argue it aligns with the actions described in their case. Additional scrutiny has been placed on lyrics that prosecutors claim suggest financial backing for violence. Among them are lines from an unreleased song, “Scoom His Ass,” which authorities say was found on a co-defendant’s phone. The track references Beverly Hills, an area prosecutors note is close to where Robinson was killed. They argue the geographic detail strengthens the connection between the music and the alleged crime. Whether rap lyrics can be used as evidence In earlier filings, prosecutors described a “striking similarity” between the lyrics and the facts surrounding Robinson’s death. They have cited past rulings allowing artistic works to be admitted in conspiracy and gang-related trials. Excluding the material, they contend, would prevent jurors from weighing statements they believe reflect real-world behavior. The government maintains the music meets the standard for admissible evidence. Durk’s defense team has filed motions seeking to keep the lyrics out of the trial. They argue the material would unfairly prejudice a jury by inviting assumptions about the artist’s character rather than focusing on evidence. The defense also questions when the songs were written and who authored the lyrics. Without that context, they say, the court cannot reliably link performance to alleged conduct. To support their argument, the defense has turned to Erik Nielson, a scholar and co-author of Rap on Trial: Race, Lyrics, and Guilt in America. Nielson has argued that the language cited by prosecutors reflects genre conventions rather than literal admissions. His analysis challenges the idea that Durk’s music should be treated differently from other fictional or stylized art forms. The court must now decide how much weight, if any, creative expression should carry in a criminal trial.

Lil Wayne took the stage at Wells Fargo Arena in Des Moines, Iowa, on April 11, 2024, delivering a performance that highlighted his distinctive artistry. Yet amid the applause, a note of frustration lingered as he addressed a conspicuous absence from the Grammy nominations. The evening was both a celebration of music and a moment of reflection for the seasoned artist, Wayne. Despite releasing Tha Carter VI last June, Wayne’s fourteenth studio album received no nods from the Recording Academy. Following the 2026 Grammy Awards on Sunday night, he took to social media to express a mix of admiration for fellow nominees and disappointment in his own omission. His post drew an unusual comparison to NFL coach Bill Belichick. “Congrats to the nominees and winners. Wasn’t included, as usual. I gotta work harder, as usual. One time for my slime Bill Beli,” Wayne wrote. Referencing Belichick—celebrated for his accomplishments yet overlooked in his first year of Hall of Fame eligibility—Wayne captured a familiar sense of being passed over despite consistent achievement. Tha Carter VI debuted at number two on the Billboard 200 with 108,000 album-equivalent units in its first week. Critics offered a range of reactions, sparking industry conversations about Wayne’s lasting influence and the weight of recognition within hip-hop. There’s no denying the impact Wayne continues to have on the rap landscape. Congrats to the nominees and winners. Wasnt included. As usual. I gotta work harder. As usual. One time for my slime Bill Beli — Lil Wayne WEEZY F (@LilTunechi) February 2, 2026 Celebrating Hip-Hop Achievements While Wayne did not take home an award, the ceremony recognized several notable contributions to the genre. Kendrick Lamar won Best Rap Album for GNX and also claimed Best Rap Song for “tv off” and Best Melodic Rap Performance for “luther,” which contributed to the Record of the Year honor. Clipse earned Best Rap Performance for “Chains & Whips,” and Doecii was awarded Best Music Video for “Anxiety.” These Grammy moments served as reminders of Wayne’s own significant achievements in hip-hop. The night also featured moments of debate. Nicki Minaj publicly addressed Trevor Noah’s comedic jabs regarding her political affiliations. On X (formerly Twitter), she framed her response in spiritual terms: “As they do their ritual tonight, God almighty will reveal himself to them. The ritual will backfire on them. God will not be mocked.” Her remarks highlighted the intersection of faith, celebrity, and public scrutiny during high-profile events, a space Wayne himself is certainly familiar with.

President Donald Trump issued a pointed reaction to Trevor Noah following the comedian’s remarks at the 68th Annual Grammy Awards. Writing on Truth Social, Trump described the ceremony as “the worst” and “virtually unwatchable,” singling out Noah for particular criticism. The statement drew attention for its directness, emphasizing Trump’s dissatisfaction with the comedian’s references. The dispute arose from Noah’s joke linking Trump to Jeffrey Epstein’s private island, alongside a reference to former President Bill Clinton. Trump denied ever visiting the island and characterized the comments as “false and defamatory.” He added that no credible media outlet had made similar claims, framing the remark as inaccurate and misleading. Trump’s response included sharp personal commentary aimed at Noah. “Noah, a total loser, better get his facts straight—fast,” he wrote, signaling that the matter had become more than a casual grievance. He also suggested potential legal action, stating, “It seems I’ll be instructing my lawyers to sue this poor, pathetic, talentless M.C., and seeking substantial damages.” During the Grammy broadcast, Noah referenced Billie Eilish’s win for Song of the Year, quipping, “That is a Grammy that every artist desires almost as much as Trump wants Greenland.” He added a pointed aside: “This makes sense since Epstein’s island is no longer available; he needs a new place to socialize with Bill Clinton.” The line drew immediate audience reaction, and the subsequent statements by Trump amplified attention in the media. Trump Responds Amid Renewed Epstein Attention Trump’s remarks reflect an ongoing effort to clarify his public associations with Epstein, the financier who died in 2019 while facing federal sex trafficking charges. Epstein’s connections and legal history continue to draw scrutiny, with new documents released under the Epstein Files Transparency Act renewing public interest. The continued circulation of these records has kept Epstein-related controversies in the public eye. While no individual has been definitively implicated, the renewed focus on past associations has heightened attention on public figures connected, directly or indirectly, to Epstein. Trump’s statement illustrates how such controversies can intersect with moments in popular culture.

The 68th annual Grammy Awards are rarely short on spectacle, but CeeLo Green ensured his arrival cut through the noise. Though the 50-year-old singer was not nominated this year, he turned the red carpet into a moment alongside his 25-year-old son, Layke. Together, they offered a reminder that the Grammys are as much about presentation as they are about trophies. Their appearance stood apart from the night’s more traditional red carpet fare. CeeLo opted for a look that blended ease with provocation, wearing a bright red sweater trimmed in white and black. The outfit was sharpened by red contact lenses and his signature gothic makeup, which immediately drew cameras his way. When asked by Entertainment Tonight about the striking choice, he replied, “What are you saying? Are you kidding? I was born this way.” He followed with a shrugging explanation: “Interesting, that’s all. Just keeping it interesting.” Layke, whose birth name is Kingston Callaway, leaned fully into glam rock theatrics. His face paint evoked classic KISS imagery, widely read as a tribute to the late Ace Frehley. A red mesh top layered beneath a fur-trimmed vest, paired with black leather pants and spiked gauntlets, completed the look. The effect was deliberate, dramatic, and impossible to miss. View this post on Instagram Beyond Fashion, a Moment in Music History On the carpet, Layke also spoke about the meaning behind his chosen name, saying it “opens up an aura of mystery” and elevates how a person is perceived. The comment fit neatly into a night where self-definition and performance often blurred. Elsewhere, CeeLo took time to praise Clipse, who earned nominations for Best Rap Performance, Best Rap Song, and Best Rap Album. Their win for “Chains & Whips” added to Kendrick Lamar’s historic evening, marking his fifth Grammy of the night and bringing his career total to 27, the most of any rapper in Grammy history. The Grammy Awards have long functioned as a crossroads of music, image, and personality. CeeLo Green and Layke used the red carpet not simply to dress boldly, but to stake a claim in that tradition. Their appearance served as a reminder that at the Grammys, presence can resonate long after the awards are handed out.

Over the weekend, Alex Bruesewitz and his now-wife, former beauty queen Carolina Urrea, held a star-studded wedding at President Donald Trump’s Doral Golf Course in Miami. Bruesewitz, a right-wing podcaster, was one of the major voices behind Trump during his 2024 presidential campaign. In addition to Trump’s family members and senior advisors, several prominent Black entertainers, including Nicki Minaj, Sexyy Red, and 50 Cent, were also present. Clips of the event have already circulated online. Fif and Sexyy were seen performing on stage, while Nicki was mingling with other guests. Also in attendance were Boxer Mike Tyson, Michael Blackson, Tristan Thompson, and Amber Rose. Sexyy Red hit the stage during the wedding of President Trump advisor Alex Bruesewitz and Carolina Urrea! #TSRStaffAS https://t.co/oGnbiEZYRu — TheShadeRoom (@TheShadeRoom) February 1, 2026 Nicki Minaj Goes Full MAGA In other news, Nicki Minaj made it clear she’s more than a supporter of President Donald Trump; she’s his biggest fan. Earlier this week, President Donald Trump and Treasury Secretary Scott Bessent hosted a “Trump Accounts Summit” in Washington, D.C. Among the guest speakers was Nicki Minaj, who referred to herself as Trump’s “No.1 fan,” and accused others of “bullying” him. “I don’t know what to say, but I will say that I am probably the president’s No. 1 fan. That’s not going to change,” Minaj said. Minaj says the criticism she’s received only motivates her to “support him [Trump] more.” She continued, “It’s gonna motivate all of us to support him more.” The “Starships” rapper also made it a point to call out the president’s “bullies.” She added, “We’re not going to let them get away with bullying him and, you know, the smear campaigns: It’s not going to work, OK? He has a lot of force behind him, and God is protecting him. Amen.”

T.I. is signaling the end of his recording career with Kill The King, a project he has described as his final studio album. Earlier this month, he released “Let Em Know,” a Pharrell-produced single that introduces the tone of the forthcoming record. The announcement frames the album not as a dramatic farewell, but as a measured conclusion to a career that has spanned more than two decades. For the Atlanta rapper, the decision appears deliberate and long in the making. While attending the Grammy Awards with his wife, Tiny, T.I. spoke candidly about stepping away from music. “It’s a blessing, man. ‘Let Em Know,’ produced by Pharrell, is my first single off of my final album. It’s time for me to be done. They should know it; I’ve stated it before,” he said. He explained that his priorities have shifted toward family and other creative ambitions he has yet to fully explore. The album, he suggested, represents closure rather than retreat. TI says he’s officially retiring from Hip Hop and his new album that he’s rolling out will be his last album. pic.twitter.com/3Rbk5Y4tbX — Ahmed/The Ears/IG: BigBizTheGod (@big_business_) February 2, 2026 The Meaning Behind “Kill The King” Though no release date has been announced, Kill The King has been in development for several years. In a 2023 interview with TMZ, T.I. reflected on the weight of the “King of the South” title that has followed him throughout his career. “I feel like the King of the South moniker can be quite egotistical. It’s a persona that often precedes me,” he said. Recalling advice from Big Boi, he added, “when you take on the title of king, you effectively put a target on your back. It’s a game of chess, and ‘Kill The King’ is what you risk setting yourself up for.” Talk of retirement has surfaced repeatedly in recent years. Ahead of his performance at the 2024 Jingle Ball concert for 96.1 The Beat, T.I. told fans it would be his final live appearance. “I’m thankful to you all for giving me my final gig. Financially, I’m set, and I simply don’t want to perform anymore,” he said. The moment reinforced a message he has delivered with increasing clarity. As Kill The King approaches release, the album stands as a closing chapter from an artist who helped define Southern hip-hop in the mainstream era. Rather than a sudden goodbye, the project reflects a thoughtful transition away from the stage. For listeners, it offers a final body of work shaped by reflection, experience, and intention.

Don Lemon is breaking his silence after his arrest for his alleged involvement in a Minnesota church protest he was reporting on. Earlier this week, Don Lemon was released from federal custody on his own recognizance. As he stood on the courthouse steps, the former CNN anchor thanked his supporters. “It really, it truly means the world to me,” he said. Lemon says he spent his “entire career covering the news,” and has no plans on slowing down. He continued: “I will not stop now. In fact, there is no more important time than right now.” It’s being reported that Lemon’s arrest occurred while covering a Grammy Awards event. Lemon confirmed this was true, saying, “Last night, the DOJ sent a team of federal agents to arrest me in the middle of the night for something I’ve been doing for the last 30 years, which is covering the news,” Lemon said. (Photo by Mario Tama/Getty Images) “I will not be silenced,” Lemon Says He added, “The First Amendment protects that work for me and for countless other journalists. I stand with them, and I will not be silenced. I look forward to my day in court.” Lemon’s former employer, CNN, also spoke out about his recent arrest, calling it “unacceptable.” “The FBI’s arrest of our former CNN colleague Don Lemon raises profoundly concerning questions about press freedom and the First Amendment,” the statement reads. “The Department of Justice already failed twice to get an arrest warrant for Don and several other journalists in Minnesota, where a chief judge of the Minnesota Federal District Court found there was ’no evidence’ that there was any criminal behavior involved in their work.” The statement continues: “The First Amendment in the United States protects journalists who bear witness to news and events as they unfold, ensuring they can report freely in the public interest, and the DOJ’s attempts to violate those rights is unacceptable,” the outlet continued. “We will be following this case closely.”